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Drive My Car | Movies

Vikshepa Posted on April 17, 2022 by authorNovember 2, 2025

We watched “Drive My Car” in two sittings… it’s a 3-hour film. A great film. Hey, it’s 2022 and they are still making good films, somehow. I have not read the Haruki Murakami story upon which it is based, although I’ve read so many of his novels and stories. And I have also never seen or read Uncle Vanya, which is enfolded within it. It isn’t the first film to do that – I have the earlier one in my library to watch.

I often wonder why the tears flow so easily when watching movies, though in my ordinary life, it is less common for me to express, or even experience, strong emotions. I prefer not to give myself over to strong emotions like grief because I suspect that once we allow it to engulf us, it only ever leaves us in moments of exhaustion. The characters in Drive My Car eventually find consolation and healing, apparently, whereas this is not something I often see among those who grieve for their loved ones.

Emotion is a lens through which we look at the world. As long as we keep looking through it, the world will always appear in a certain way. If we throw aside the lens, the world already looks different. The consolation of philosophy? Perhaps.

Although I watched Drive My Car to the end – sometimes I will watch a film or a TV series up to a certain point and then decide that that’s enough. It’s not necessarily that I disliked what went before, but only that I am fine with being left with what was there on the screen up to that point. That’s usually the case also in real life. One day we suddenly leave it, with many tasks uncompleted, many knots we never unravelled, many strings that we never managed to tie.

A man who loves movies:


I let my love for cinema destroy my life… but I’m still always eager to see a good film.
It’s not important who made it.
Just seeing it is the important thing.
The cinema lost me my job.
It robbed me of my life… my social identity.
But even now, just one good film and I eagerly turn back to cinema.

Whenever I see a film, I dissolve myself in it… to such an extent that I reach the bottom.
I fade out and perhaps… I get lost in it.
And this has played an essential role in my life.

Hossein Sabzian
https://www.sabzian.be/article/hossein-sabzian

Tagged movies

Human

Vikshepa Posted on April 25, 2020 by authorNovember 2, 2025

human-themovie.org by Yann Arthus Bertrand

Watched this movie today for a second time; the running time is 3 hours and 10 minutes, and it’s available for free in a number of languages. I’ve also managed to watched several supplementary short documentaries about the making of the film and listened separately to the sound track. Actually I think this may be my all-time favourite film. It’s hard to see with dry eyes. The storytelling, music and cinematography are consistently incredible – if anything, the movie steadily improves as it goes along. The signature theme, for example, only becomes evident in the second half or last hour. The way the film is constructed and edited contributes to its power and ensures that there is never a boring moment. There are subtleties that I only picked up on the second watching. The image of a man speaking on a phone at the corner of a Manhattan skyscraper is followed by a man standing high among desert cliffs. The film plays a little with our expectations. Derisive comments about “rich people” by a poor man are followed by an obviously “rich” American, who, in turn, quickly wins our sympathy. The impoverished window of an Indian farmer who committed suicide due to the water crisis is followed by an educated upper class Indian, who, despite first impressions, places her simple story in its sharp political context. The director says that this is essentially a political film, and one has to agree, but it is not directly so. It commands our attention by its intense humanity. No film could be more true to its title. It captures the essence of what it means to be a human being in our era, beset by vast inequalities, violence, political turbulence and climate change, as well as the options we face as human beings when confronted by these horrendous difficulties. It gives a voice to the voiceless and permits us to hear stories that would otherwise be unlikely to reach our ears. Eventually it is the beauty of these portraits of ordinary human beings, even more than the magnificent landscapes, that lingers in our memory. It is not just that these humans are unforgettable, but that they also hold us accountable. We are so far removed from some of them that even the work that they are doing is unintelligible to us. People hang out long lengths of fabric over a wooden construction for what purpose? A human chain of men move earth with shovels to achieve what? Men rummage through a garbage dump to find what? If we thought we understood our world, we find that we are out of touch.

Eventually it’s an optimistic film. Nobody forced these people to be interviewed. They agreed because despite everything, they believed in the value of their experience and hadn’t given up on either us, the viewers, or, in most cases, themselves.

Tagged movies

“Long Day’s Journey into Night”

Vikshepa Posted on September 17, 2019 by authorNovember 2, 2025

I saw the Chinese film “Long Day’s Journey into Night” (2018) the other day. It’s very long, and I only just managed to stay awake till the end (my partner didn’t). But still I’m glad I saw it. Visually, it’s among the most beautiful films I’ve ever seen. Every frame is stunning. In terms of the plot, you just have to accept that it’s all a jumble – it’s deliberately so. Only the 2nd part of the film creates a coherence – but it’s the coherence of a dream, where the brain takes many disconnected elements and somehow weaves them into a story. After the film, it’s helpful to read what the critics say, in this case. The most helpful essay I found was Roderick Heath’s on Film Freedonia.  Seeing this film, and thinking about it more deeply, is sure to offer a lot.

Tagged movies

At the film festival

Vikshepa Posted on August 6, 2019 by authorNovember 2, 2025

This year at the Jerusalem Film Festival we saw three films: “House of Hummingbird”, “Young Ahmed” and “The Invisible Life of Eurydice Gusmao”. All three were special. “House of Hummingbird” was the best; a poignant coming-of-age film where not a … Continue reading →

Tagged movies

Film festival

Vikshepa Posted on May 8, 2015 by authorNovember 2, 2025

My main reason to go to the DocAviv film festival, in Tel Aviv, was to see the Snowden film, “Citizen Four”, which hadn’t been shown in this country till now. I also looked for another film for the same day, … Continue reading →

Tagged movies, privacy

film festival

Vikshepa Posted on July 10, 2010 by authorNovember 2, 2025

This year we decided not to invest very much time in the film festival, since we will already be taking too much time off this summer.  Dorit chose 3 films that we could watch over the weekend.  The first was … Continue reading →

Tagged movies

Magnificent 7

Vikshepa Posted on May 28, 2010 by authorNovember 2, 2025

Watched the last half of the Magnificent Seven on TV. I’ve never seen it before, or Kurosawa’s The Seven Samurai. My Dad told me about the Magnificent Seven a couple of times, and mentioned that it was based on the … Continue reading →

Tagged movies

Sky people go home!

Vikshepa Posted on January 2, 2010 by authorNovember 2, 2025

Went to see Avatar and sat in the front row, which made the experience even more hallucinogenic. To an audience who thinks it has seen everything, Hollywood continues to say, “You ain’t seen nothing yet”. And that’s true. Avatar is … Continue reading →

Tagged movies

Red Corner

Vikshepa Posted on November 13, 2009 by authorNovember 2, 2025

Red Corner is a movie about an American who comes afoul of the Chinese legal system. It stars Richard Gere and a lovely Chinese actress named – I think – Ban Lee. I’m writing from an Ipod and it isn’t … Continue reading →

Tagged movies

2 Reviews of Waltz with Bashir

Vikshepa Posted on February 21, 2009 by authorNovember 2, 2025

Gideon Levi (Haaretz): Gideon Levy / ‘Antiwar’ film Waltz with Bashir is nothing but charade  Naira Antoun, The Electronic Intifada: Film review: “Waltz with Bashir” Both conclude: the movie won’t help Israelis to see beyond their mud puddle.

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Tagged movies

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